In keeping with the triple focus of its theme, the Writers' museum comes with three distinct, and distinctly themed, areas, each looking at the life and work of one of the authors covered. The lower floor, reached by descending the spiral stair from the entrance, has several rooms looking at the life and work. Pictures on the walls complement artefacts in glass cases to give an impression of the man who produced some of the best loved adventure stories of all time. The rear of the main floor, beyond the shop and reception, is devoted. Here you can find things like a collection of his walking sticks, his bonnet, and his wallet. At the far end of the hall is an area furnished to represent Scott's dining room at 39 Castle Street in Edinburgh, complete with his dining table. Also on view is Scott's chess set and the rocking horse he used as a boy. An upper part of the building houses a recreation of the ballantyne press, said to be one of the presses on which the waverley novels.
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It is known as Lady Stair's supervisor Close because ownership passed in the argumentative 1720s to Elizabeth Dalrymple, dowager countess of Stair, a lady with a personality strong enough for her to be remembered in the name of both the building and the close in which. You reach Lady Stair's Close through narrow passageways descending north from the lawnmarket, the upper part of the royal Mile, or ascending from North Bank Street, the uphill continuation of The mound. What you find is a fascinating building whose longest dimension appears to be its vertical one. The entrance is via a door leading into the stair turret at the corner, and from there via a spiral staircase to the main floors of the museum. What is particularly fascinating are the echoes in the structure of the sorts of ornate castles being built in parts of the Scottish countryside in the 1600s: though only up to a point, as this is without doubt an urban building. The Writers' museum celebrates the lives and works of three of Scotland's best known writers: Robert Burns, sir Walter Scott and, robert louis Stevenson. None of these authors had direct links with the building, but Burns lived nearby in Baxter's Close on his arrival in the city in 1786, and both Scott and Stevenson were born. The entrance to lady Stair's Close can give the impression you are entering a building with fairly cramped accommodation. A short trip of half a turn of spiral staircase soon makes clear this is far from the case. At the heart of the museum is the double height great hall, a space that is all the more impressive because it is so unexpected. The hall comes complete with a balcony running around two sides, which allows a number of viewpoints from which to fully appreciate.
Note that you may actually visit the bookshop without paying the entrance fee, just ask at reception. Website: Dublin Writers Museum, phone:, as is common in the travel industry, the writer was provided with complimentary entry for review purposes. While it has not influenced this review, Tripsavvy believes in full friendship disclosure of all potential conflicts of interest. For more information, see our Ethics Policy. Looking Down from the balcony of the Great Hall. The Writers' museum occupies Lady Stair's Close, a magnificent building originally constructed in 1622 and subsequently expanded on a number of occasions, most notably in 1700. It was restored in 1897 and returned to what was assumed to be its original 1622 configuration.
Local buses summary stop in Parnell Square. Long-distance buses terminate at Busaras, within ten to fifteen minutes walking distance. Parking: car parks and (limited) on-street parking are available in the area and signposted. Opening Times: Monday to saturday 9:45 am to 4:45 pm, sunday 11 am to 4:30 pm (public holidays like sunday, closed Christmas day and saint Stephens day). Admission fees: adults.50, children.70, concessions available. Estimated Time needed: if you want to see (and read) everything at a moderate pace, you may as well budget for a few hours, two at least. Food drink: available locally, but the café in the dublin Writers Museum is now closed permanently. Souvenir Shop: yes and no, as a bookshop also selling some souvenir items (with a literary twist) is located at the rear of the building, with a good selection of Irish literature.
If you can appreciate the first editions on show, despite them often being used, or if the surrealistic quality of André monréals painting Beckett by the sea can get you thinking, by all means. Even if you just have a passing interest in literature, go for a good introduction into the Irish writers world. If, however, you are not that much into books, expect some fun entertainment, and restrict your Irish reading to witty"s by Oscar Wilde, then you might well wonder what the fuss is all about. Because this museum is not for you. You might get more out of a tour of the literary pubs of Dublin. Essential Information on the dublin Writers Museum. Location: 18 Parnell Square, dublin. Public Transport: Connolly is the nearest rail station, Abbey street would be the closest luas station.
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In another large room dedicated to childrens literature youll explore writers that focused on young readers, with some very imaginative staging. A library room is also open to the disagree public, but alas, the bookcases are not. Which, all in all, might be a very good thing. Veteran bibliophiles and those new to dublin literature might get their fix in the bookshop at the back of the building, which sells all the seminal works of Irish literature. Plus some souvenirs which fit right.
Like mugs with joyce"s, saying I will quite out of context. Is the dublin Writers Museum Worth a visit? Yes, absolutely and no, not necessarily. It is a bit of a curates egg in that parts are excellent (witness the wonderful collection of memorabilia and parts might just leave you lukewarm. Like discovering that many of the portrait paintings in the gallery are not originals, though there are enough originals to feast you eye. Albeit somewhat hidden along the walls of the halls and staircases at times. At the end of the day it very much depends upon your interest in literature, and in Irish literature especially, how much the dublin Writers Museum will captivate you.
But those aviation goggles, once owned and worn by Oliver. John Gogarty, certainly put the author and politician in a new, daredevilish light (as if his shooting at joyce wasnt enough). The same with the pricey piano joyce bought, even when struggling with day-to-day-expenses. Patrick kavanaghs death mask and typewriter side by side, seán ó faoláins meerschaum pipes, Brendan Behans nuj press pass and painters and Decorators Union membership card they all bring the visitor nearer to the human behind the writing. And to their quirks, at times.
Asked for his favorite object, curator Nicholson has a hard time singling one out, having grown fond of all of them. But then he wistfully mentions Becketts telephone, by which the great playwright kept contact with the outside world. Funnily enough with an extra only a true introvert would understand in these days of 24/7 social media a red button which could block all outside calls. Shaw had his phone adapted in a similar way. Maybe we should take heed? The upper floors hold a writers Gallery with more portraits and exhibitions, in a stunning room refurbished to a high standard the doors alone, with their paintings representing the months of the year, are worth taking the steps (no lifts here).
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A journey for which you should take time, rushing through the big names only will not. This, according to curator Robert Nicholson, is how the dublin Writers Museum works: we are trying to provide an all-round experience, not bite-sized highlights with big arrows pointing to them. Helped by the unashamed old-fashioned-ness of the whole attraction. No fancy multi-media, no review special effects, no sounds. Though that recording of joyce reading from his works, preserved on vinyl, certainly would deserve a spin occasionally (you can listen to a short excerpt on the audioguide). Which neatly brings us to the memorabilia, the real highlights of the museum if you will. Because potted biographies, portraits, and even first editions will more than likely not hold the general publics attention for long.
With rights, as the Elizabethan English poet actually started to compose his allegorical fantasy in Ireland. And spent time in Dublin. The first true dublin Writer, however, is Jonathan Swift and with him the natives seemed to begin to take to producing literature like ducks to water. Gullivers Travels could be seen as the first classic actually produced by a dubliner. And it already had the hallmarks of successful Irish writing imagination run wild, with an eye on reality, and an often scathing wit. Highlighting any author after these initial ones would be futile, mainly because annual the museum does not highlight them that much either. So you will discover more obscure dublin writers as well as the heavy-hitters you came to expect. And discover connections you maybe did not know existed. It is more a journey of discovery than a visit to old friends.
walking distance. Visiting the dublin Writers Museum, what now can you actually expect in the dublin Writers Museum? Obviously not the writers themselves, as that would be more than spooky (though Bram Stoker might just be up for it, after all he gave the undead a new lease of life through his Dracula). Instead youll see portraits, lots of them. And books, though not for you to leaf through (unless you buy them in the bookshop at the back, that is). All taking you on a journey though Irish literature, with a dublin focus, and aided by a very good audioguide. A focus that seems to mellow a bit right with the first exhibit, a facsimile of the book of Kells while the original is kept in Trinity college dublin, in their Old Library, the book was not even created in Ireland. But this Scottish tome stands in for medieval illuminated manuscripts. After this, Edmund Spensers The faerie queene makes an appearance.
And then there are the prizeless others, like the man who made dublin his main theme, james joyce. Who also manages to dominate the dublin Writers Museum a little bit at least there seem to be more portraits and mentions of him than of any other writer. So dedicating a building in central Dublin to writers, with the neighbor, the Irish Writers Centre, complementing it as a place of education, and the showcasing of contemporary literature, was almost inevitable. In 1991, dublin tourism (now part of fáilte Ireland, the national tourism marketing dillard agency) stepped up to the plate, and created the museum in a converted townhouse. Next to the imposing Abbey presbyterian Church, almost rubbing shoulders with the hugh Lane dublin City gallery on the other side, just across from the garden of Remembrance with its evocative statue of the Children of Lir. A cultural vortex Dublin would like to suck you into. Yet a bit off the beaten track for the usual punters looking for craic agus ceol, fun and music, or at least the cheapest guinness and a party.
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The dublin Writers Museum is slogan a whole house, in a central location, dedicated to keep the memory of famous (and some not quite so famous) Irish authors alive, all of which have one unifying entrance in their cv time spent in Dublin. With many actually being born in Irelands capital, and some buried in Dublin cemeteries. As to fame, they range from the pantheon of joyce, yeats, and Behan to more obscure writers. Why a dublin Writers Museum? Dublin is a unesco city of Literature, and no less than three winners of the nobel Prize for Literature were born here:. Yeats (though often more associated with Sligo), george bernard Shaw, and Samuel Beckett. To top it off, the fourth Irish prizewinner, seamus heaney, at least died in Dublin, where he lived for nearly forty years.